After a year in San Francisco, my legs grew strong again. A hill and a half lay between the bookstore where I found work and the apartment I shared with the Kotos. Every morning and evening I walked, breathing mist and rain into my desert-scarred lungs, and every morning the walk was a little easier. Even at the beginning, when my feet ached all day from the unaccustomed strain, it was a hill and a half that I hadn’t been permitted for seventeen years.
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“I don’t want to die in the dark!”
“We all die in the dark, Benny…”
Norm spends this episode doing his very best cheesy Vincent Price styled horror show host (Note: not a Vincent Price imitation, but an imitation of a really bad Vincent Price imitator), complete with an interminable string of puns about “ghouls” and “ghosts.” As this year’s Halloween treat, Norm selects a truly terrifying story from frequently heard contributor Kevin David Anderson, also seen in Dark Animus, and numerous other publications which include the word “Dark” in their titles. In “The Box Born Wraith,” an unexpected encounter between a condemned mobster and a tribe of hungry ghouls changes both the captive and the captors. Finally, still in character, Norm urges listeners to face the horrors of the voting booth in November’s election.
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Uncle Karl shouts when he’s mad, and sometimes he smacks Mama. That always makes the sharp things hurt me and the wiggly people come out…
On this episode of the Drabblecast, a dark tale from favorite author Eugie Foster. A troubled youth, a view in to his chaotic mind, and deeply effected life. Shake hands with the wiggly people!
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Achtromagk shuddered, lost in nightmare images: crimson lightning dotting a wasteland, twilight despair and feeble railings, isolation in a mewling throng. It thrashed and twisted but could not escape, could not stop the unwanted vistas in its mind.
It was silent. And soft. And dark…
Next up in Lovecraft month, a heart-warming tale of an extra-dimensional Lovecraftian horror (an ‘oh so huggable’ one) by Drabblecast favorite Eugie Foster.
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What he loved was the silence, the pristine clarity of the ice shelf: the purposeful breathing of the dogs straining against their traces, the hiss of the runners, the opalescent arc of the sky. Garner peered through shifting veils of snow at the endless sweep of glacial terrain before him, the wind gnawing at him, forcing him to reach up periodically and scrape at the thin crust of ice that clung to the edges of his facemask, the dry rasp of the fabric against his face reminding him that he was alive.
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Here it is again – the very first H.P. Lovecraft month special! Listen in as we try to figure out what it’s all about at the end of the episode!
Unhappy is he to whom the memories of childhood bring only fear and sadness. Wretched is he who looks back upon lone hours in vast and dismal chambers with brown hangings and maddening rows of antique books. Such a lot the gods gave to me – to me, the dazed, the disappointed; the barren, the broken…
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There’s a dream you have.
It’s not a proper dream. It’s impatient, fired with urgency. It arrives without warning, veering suddenly out of the night.
You’re kneeling on the bridge. It’s late afternoon. Clouds mass low in the sky, seagulls wheel over the bridge spans, humidity hangs thick in the air. Cars speed by on either side of you, the whoosh of
their passage filling your ears.
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H.P. Lovecraft Month continues with an originally commissioned story: “To Whatever” by Shaenon Garrity.
To know or not to know is the penultimate question in Lovecraftian horror. What mysteries lie beyond the wall of our understanding? What if we were to commune with whatever lay beyond that wall? Or in that wall? That is the crux of this week’s story.
To whatever lives in the walls—
Please stop taking my half & half.
Let’s get this out of the way: I know you’re there. Don’t think I’m unaware of the scrabbling sounds, the walls creaking from your bulk, the way my razor in the morning is never exactly where I left it last night. Richard always said it was the building settling—as if a building, however old, could take apples out of the fruit crisper—but he was as wrong about that as he was about a lot of things beyond the scope of this note. And since he moved out I feel you’ve gotten bolder.
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When I drew nigh the nameless city I knew it was accursed. I was traveling in a parched and terrible valley under the moon, and afar I saw it protruding uncannily above the sands as parts of a corpse may protrude from an ill-made grave. Fear spoke from the age-worn stones of this hoary survivor of the deluge, this great-grandmother of the eldest pyramid; and a viewless aura repelled me and bade me retreat from antique and sinister secrets that no man should see, and no man else had ever dared to see.
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West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut. There are dark narrow glens where the trees slope fantastically, and where thin brooklets trickle without ever having caught the glint of sunlight. On the gentler slopes there are farms, ancient and rocky, with squat, moss-coated cottages brooding eternally over old New England secrets in the lee of great ledges; but these are all vacant now, the wide chimneys crumbling and the shingled sides bulging perilously beneath low gambrel roofs.
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I was shot with the cure in the dark. Later, someone would tell me it was a Tuesday, but before the tranq dart I didn’t know such a thing existed. It was either day or night, hungry or sated, alive or dead.
Then there was the cure and I was hauled to the Sanitation Center to be processed: our identities to be confirmed, and if forgotten, to be assigned a name, a registration number, date of birth, address.
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I’m not employed by the store. They don’t pay my wages. I’m with a security firm, but we’ve had a contract here for a long time, and I’ve been here for most of it. This is where I know people. I’ve been a guard in other places—still am, occasionally, on short notice—and until recently I would have said this was the best place I’d been. It’s nice to work somewhere people are happy to go. Until recently, if anyone asked me what I did for a living, I’d just tell them I worked for the store.
It’s on the outskirts of town, a huge metal warehouse. Full of a hundred little fake rooms, with a single path running through them, and all the furniture we sell made up and laid out so you can see how it should look. Then the same products, disassembled, packed flat and stacked high in the warehouse for people to buy. They’re cheap.
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I still remember that cold October afternoon in 1936 when Whitey McFarland’s old coonhound Maggie dragged herself out of the forest, whimpering and yowling. Her skin hung off her sides in red flaps and her eyes rolled wildly. She collapsed on the ground and howled.
All us kids loved Maggie, but not one of us dared go near her, not while she was baring her teeth and snarling. Benny Carper dropped the bat and ran off; Ira Schmidt just stood there staring at the half-dead animal as it pawed the frozen dirt. I tugged on Whitey’s sleeve and told him to stay with Maggie while I got my dad—Whitey’s dad was a drunk and never easy to find. When he finally nodded in understanding, I took off running.
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Lawson was already regretting the decision to go shopping by the time he was standing in line waiting to buy a ticket for the tube. All but one of the time- and labour-saving automatic ticket dispensers was either closed or unable to give change, and it was all he could do not to let out yelps of irritated despair at the inability of those in front of him to understand the process of getting the machine to yield up its wares. The station seemed to be unusually full of squalling children and jabbering mad people, and the flu which he’d thought in decline was thriving in the damp mildness of the winter afternoon. All in all he was beginning to feel like death cooled down, and he was barely on step one of the afternoon.
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A man in a wrinkled, black suit entered the fairgrounds. He was tall and lean, his skin the color of drying leather. He wore a faded sport shirt underneath his suit coat, white with yellow stripes. His hair was black and greasy, parted in the middle and brushed back flat on each side. His eyes were pale blue. There was no expression on his face. It was a hundred and two degrees in the sun but he was not perspiring.
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The devil lives in Houston by the ship channel in a high-rise apartment fifty-seven stories up. They say he’s got cowhide sofas and a pinball machine and a telescope in there that can see past the oil refineries and across Pasadena all the way to the Pope in Rome and on to where them Arabs pray to that big black stone.
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I nestle the video camera on its makeshift tripod, carefully centering my daughter’s image. She tucks her hair behind her ear and gives a strained smile. She is sixteen, and that hair is long and golden–kissed light brown and straight; she has the gangly grace only teenagers have, that sleek gazelle form. She is wearing khaki shorts and a striped tank top, and the bite mark on her arm is already putrefying.
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